this is nothing

Oct 20

indiohistorian:

For those who still have interest in ancient Baybayin (my blog post on the topic remains one of my most reblogged posts here on tumblr), I’m posting here excerpts of my copy of the September 1963 issue of Panitik Silangan (Translation: Literature of the East). It is perhaps one of the few old publications I know that used Baybayin in almost 90% of its pages. I bought my copy from an old antique shop in Intramuros five years ago. It aptly reflects the zeitgeist of the time, as nationalist sentiments was at its height in the 60s. Just a year before the publication was released, in 1962, President Diosdado Macapagal moved the Independence Day commemoration from July 4 to June 12 recognizing the First Philippine Republic established by Emilio Aguinaldo. Hence, the passion of the people then to study the marks of our past, like Baybayin. The publication itself is a great reference not only on Baybayin but that generation’s perception of it. For example, the publication refers to the script as “Abakada,” not “Alibata” as wrongly suggested, and there was clearly a grassroots movement dedicated to teaching the script to students free of charge.

The publication also offers some potentials to Baybayin, like making it into an art form (See Pitak ng Sining). I remember Kristian Kabuay, an acquaintance and a known proponent of Baybayin online who is also a Filipino-American, who succeeded in making Baybayin into a calligraphic art form. These potentials and more are showcased in this publication, including some test questions that teachers can use for their students, as well as the Baybayin translation of Jose Rizal’s Mi Ultimo Adios.

A word of caution though, like what I’ve said before, the endurance of a script is always tantamount to its practicality and flexibility. Unfortunately, Baybayin stopped evolving since the early years of the Spanish colonization, making it incompatible with modern Filipino language in its entirety, and thus impractical in usage, especially in communicating complex messages.

Therefore, what we can only do is appreciate it by learning indigenous scripts that have inspired it and have endured the test of time, such as the Mangyan script, among others.

That being said, enjoy these scans!

(via philippinespics)

violentwavesofemotion:
“ Nikita Gill, from “Great Goddesses: Life Lessons from Myths & Monsters,” ”
Feb 13

violentwavesofemotion:

Nikita Gill, from “Great Goddesses: Life Lessons from Myths & Monsters,

(via beafraidofjesus)

heteroglossia:

I recognize that I love—you—by this: that you leave in me a wound that I do not want to replace. (Jacques Derrida, The Post Card)

mom

(via dearorpheus)

Nov 24

warsanshires:

“I must change my life so that I can live it, not wait for it.”

— Susan Sontag (b. 16 January 1933)

(via beckyrulezagain)

Nov 23
standingatthefence:
““Louise Bourgeois from “What is the Shape of this Problem?”, 1999
” ”
Jun 20

standingatthefence:

Louise Bourgeois from “What is the Shape of this Problem?”, 1999

May 1

(via bizarro-jerry)

May 1
malinconie:
“René Magritte, The Vengeance, 1939
”
May 1

malinconie:

René Magritte, The Vengeance, 1939

(via xeptum)

fotojournalismus:
“ Be realistic, demand the impossible, Paris, May 1968.
Photo by Gérard Aime
”
Sep 1

fotojournalismus:

Be realistic, demand the impossible, Paris, May 1968.

Photo by Gérard Aime

Feb 23

(via coinfarts)

Nov 11

(via juliasegal-blog)

gnossienne:
“ from Mary Shelley’s preface to the 1831 edition of Frankenstein ”
Aug 19

gnossienne:

from Mary Shelley’s preface to the 1831 edition of Frankenstein

(via classicallycara)

cinephiliabeyond:
“Here’s terrific 90-minute John Cassavetes interview from the mid-seventies on filmmaking.
”
Aug 19

cinephiliabeyond:

Here’s terrific 90-minute John Cassavetes interview from the mid-seventies on filmmaking.

(via lecollecteur)

animatedtext:
“hate can’t kill love
”
Jun 13

animatedtext:

hate can’t kill love

(Source: animatedtext, via animatedtext)

"I do not feel as though issues of identity are exhaustible. The notion of identity, be it self-constructed or as an imposed ideology from outside, means to me that it is a complex and contradictory system."

- Lorna Simpson, Easy To Remember 

Apr 4